Johann Sebastian Bach – Composer – Goldberg Variations BWV (Sitkovetsky version) – Music Sales Classical. The Russian-born violinist Dmitry Sitkovetsky, who founded the New European Strings Chamber Orchestra in , has enthusiastically. View credits, reviews, tracks and shop for the CD release of Goldberg Variations on Discogs.
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This is good for some pieces, whose singing melodies now sound more natural. The performance is energetic yet not rushed. The frenetic momentum of variation 26 is, again, cleverly redistributed among the trio, while in variation 28 there is more effective use of pizzicato, perhaps to mirror the sound of the harpsichord as well vairations to lighten the texture.
Bach: Goldberg Variations | Nonesuch Records – MP3 Downloads, Free Streaming Music, Lyrics
A version for string orchestra is equally popular and these transcriptions have been played all over the world. In his biography Forkel relates the story as follows:. The elaborate hand-crossing and figuration of variation 14 are imaginatively re-conceived as a dialogue between the three string players. As a guest conductor, Mr. He was open for the challenge and variatiions [the Preludes] for violin, alto, cello, clarinet or string quartet.
In the first movement the sound could breathe simply and freely, and in the Andante Sitkovetsky gave melancholy a whole new meaning. Given his ability to turn golrberg project into a highly anticipated artistic event, Mr. In variation 5, Sitkovetsky resists the variattions to write a third part, while the sitkovetky texture of variation 6 is cleverly redistributed between the three instruments—leaving it as a two-voice jig—as it is in variation The 15 Sinfonias are on the same level as the Goldbergs, with enthusiastic vigour, goldbergg and depth, while staying low-cholesterol.
On these occasions, Goldberg had to spend the night in an adjoining room so that he could play something to him during this sleeplessness. With three instruments of broadly similar timbre, the contrapuntal and imitative lines come across with great transparency, especially in the canonic variations Nos 6, 9, 12, 15, 18, 21, ssitkovetsky and 27, or in the fughetta variation 10 and the closely argued counterpoint of variation 22, or, finally, in the triumphant imitation based on folk tunes of the Quodlibet that forms variation In the booklet Sitkovetsky tells the story the arrangements.
Number of Discs in Set: Inhe founded the New European Strings orchestra NESbringing together the most distinguished string players from the top European ensembles for special touring and recording projects, most recently at the Enescu Festival.
The grand chords of variation 29 are also persuasively transcribed.
Like the Goldbergs, this is music that grabs the attention; every moment goldbert admirable. The 15 sinfonias, also brilliantly arranged, complete a programme of beautifully played music. The slow numbers breathe and sing. Unable to process your request at this time.
His original transcription of The Goldbergs was written ininspired by the famous Glen Gould recording. By the time arrived I felt that this was the right moment to re-visit and somewhat re-examine my original transcription.
A renaissance man and a magnetic creative force, Dmitry Sitkovetsky has made a considerable impact on every aspect of musical life and has been successful as a performer, creator and facilitator for over four dmitty. Please try again later. Conductor Dmitry Sitkovetsky had the courage to put the musical expression above all else and this approach invigorated the symphony, woke up its soul.
MusicWeb Record of the Year – One of the most beloved vadiations works ever written, arranged with such affection and skill that the result sounds in no way inferior to the original, and performed with authority and passion. One of the highlights of the summer festival season was the sitkovetsjy premiere of a new transcription: In seiner Biografie schildert Forkel, dass der Graf sich oft in Leipzig aufhielt, und […] Goldberg mit dahin brachte, um ihn von Bach in der Musik unterrichten zu lassen.
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Since then my transcriptions have been played all over the world, and moreover they have opened the floodgates of new interpretive possibilities for the piece which have included solo harp, wind instruments of all kinds, saxophone quartets, Renaissance viols and even a fascinating concoction of Uri Caine, among many others. Bach is often thought of as a composer whose music was rediscovered only in the nineteenth century thanks in large part to Mendelssohn and Schumann varjations, but his keyboard music was something of an exception to this, even outside Germany, and the Goldberg Variations were particularly valued, though seldom played at the time.
There was no irony in the notion—expressed on this title page—of a sitkovetzky that aspired to speak to the soul of those playing and hearing the work: The Count remarked to Bach that he would like to have a few sitkovetsku for his musician Goldberg, pieces so gentle and somewhat merry in character that the Count could be cheered up by them during his sleepless nights.
Hawkins concludes his discussion of Bach with three full pages of music examples, comprising the Aria, Variation 9 and Variation 10 from the Goldberg Varixtions, making this one of the first pieces of Bach to appear in print outside Germany.
The use of pizzicato for the running semiquavers in variation 19 may cause some surprise, but it provides an attractive change of texture.